Sunday, 24 June 2018

Letter from an Actor



I recently received an interesting message from actor David McKail in response to my book, Beware of the Actor! The Rise and Fall of Nicol Williamson. With Mr McKail's permission, the message is shared below. 


Dear Mr Dowsing

After reading your book with both much interest and enjoyment I am taking up your offer to make a comment or two.

I was one of the world premiere cast of  “Events While Guarding the Bofors Gun”, playing what became known as the Ian Holm part, and have memories of the “J Arthur Rank” controversy.  There was a discussion after the Lord Chamberlain’s department refused the reference as to what might be acceptable as it was desired that the joke should be retained.  Someone came up with “Jodrell” in homage to the first radio astronomical telescope at Jodrell Bank.  The Chamberlain’s office agreed, presumably on the notion that the “hoi polloi” would not get the reference so that was what we used and to the intellectual audience of Hampstead it was instantly recognised and every night we got the hoped for laugh.  In the Methuen edition of the text I noted that John had put back the “J Arthur...” line, which is something authors do in published texts if they did not like some cuts made at rehearsals.  Robert Bolt did it in the “Vivat Vivat Regina” text, another premier I was involved in, and there are other lesser known works too.

I was pleased to see the reference to my local pub The Bull's Head Hotel in Chislehurst, which the gives the impression that he had spent a couple of nights there, whereas it was an important place in his life for at least six years.  My wife died in 2006 and he had been coming for some time.  When I first noted his appearance I said to one of the staff.  “Do you know who that is?” I got the reply, “Mr Williamson - he’s a resident in the hotel.  Why, do you know him?” I said that I did not know him personally but they should for he was perhaps the best actor of my generation, to which the response was “Never heard of him.” The then manager, David (whose second name I have forgotten) a young New Zealander thought he was a singer as he told me he was recording an album in a studio in (he said) Orpington.*

As a fellow actor I did not wish to disturb him, though many would, so although other regulars got to know and recognise him and look him up in an old Halliwell “Who’s Who in the Movies” I had donated to the pub he was left to his own devices and was seen to have chats with David and the staff which were about the same age as him (still there and over 80) and were charmed by him and treated him as an ordinary regular when he was in residence.

One Saturday lunchtime, when I was in the Bull with my late wife (who had also seen his Hamlet at the Roundhouse and several films and was a great follower), various other regulars came in and each came over and gave her a peck on the cheek.  Nicol was ordering a drink on the other side of the angle of the bar and caught my eye and cocked his head as if to say what is all that about? I said, “Her fan club.”  He looked a bit rueful and said “I used to have one of those”, to which I replied, “You still have.” At that point he got his pint and turned away to have it in a window seat.

Our source of information about his many visits came via David or the senior staff to whom he had volunteered that he could not cope with the Greek summer heat, and he was recording more songs.  On one occasion David told us that Mr Williamson wanted to acquire a second-hand long-wheel base Jaguar and had they any suggestions.  He must have overheard various car-based discussions.  Via David an agreement was reached that they would search out what examples were to be had locally and they would evaluate them and then take Nicol to view the one they thought he should have and that is what happened.  Those participating in the deal were still moaning about the non appearance of the promised dinner they would be treated to when I mentioned, at a funeral on Tuesday last, that I had read your book. I understand that Luke drove his father in the car to Greece at the end of that visit.  Dave the Diver who was main mover in the car sourcing told me at the funeral that Nicol had left the car to David the manager in his will.

David the manager had offered to introduce me to Nicol on an appropriate occasion and one arose after my wife had died when I came upon them having a chat in a corner.  This would have been in early 2007.  David said, “I don’t think you’ve met David; our resident thespian, David McKail.”  So we shook hands, and I said how delighted I was to meet him as I had seen his Hamlet and thought it to be very Calvinist and just right to me (I am a fellow west coast Scot and 18 months younger than him) and that I had, there and then, abandoned any desire to attempt it as I could not see that it could be bettered. Without acknowledging my remark, he took off on an angry riff about the whole acting business having been ruined by the fucking managers.  After a moment I made my excuses and went to the bar to order my pint.   After that we just nodded when we saw one another.  He was much loved in the Bull though and his repeated visits suggest that he felt very much at home there.  My last sightings of him were during his chemotherapy when he took to using the lounge bar known as “God’s waiting room” where he would sit in the corner seat by the window onto the main road, a woolly hat on his head, reading a newspaper as I made my way from my flat across the road to the main bar in the middle of the building.

According to the doyenne of the barmaids, Luke took him off to Holland where he was to end his life in a Dignitas clinic.**

I think he was a wonderful actor and I know from my own experience how easy it is to get the reputation of being “difficult” when all you are trying to do is to “get it right”.

Thank you for your splendid book.

David McKail

*Actually at Porcupine Studios in Mottingham
**Nicol Williamson spent his last days at a hospice in Hoorn. It was not an assisted suicide

Wednesday, 17 January 2018

How to watch Nicol Williamson - Part 3

Worth a Watch



Laughter in the Dark (1969) The BFI has a copy of this, which they screened fairly recently. Otherwise, it’s only available as a bootleg DVD from various online sellers. It’s not a great film, but it has a lot of interesting things about it and Nicol’s performance in the lead has some powerful moments. Apparently there are some complicated legal or copyright issues which have kept it in obscurity. 



The Monk (1972) I kind of like this even though it’s not very good. There’s a memorable supporting turn from Nicol. I have the Italian Il Monaco Region 2 DVD from Golem films which has the option of an English audio track and I can confirm that it is Nicol’s voice we hear. The sound and picture quality are both a bit murky but it’s watchable. Approach with low expectations and you might enjoy it. 



Columbo: How to Dial a Murder (1978) Nicol preferred to forget about this but a lot of people love it! It’s on TV constantly but also available on DVD. 



The Human Factor (1979) Great to see Nicol in the lead here and he’s excellent in an uncharacteristically understated way. Shame a number of human factors prevented it from being the great film it should have been. There are some dubious DVDs of this around, but the Warner Archive disc is excellent quality.



Venom (1981) A silly premise but a hugely entertaining film with a fascinating cast. Any of the Blue Underground discs are recommended as they’re excellent quality and all feature a fascinating commentary from director Piers Haggard. 



I’m Dancing as Fast as I Can (1982) A brilliant performance from Nicol in a rather underwhelming movie. It can be watched for a small fee on Youtube.



Macbeth (1983) A rather uneven performance from Nicol. Available on DVD.



Lord Mountbatten: The Last Viceroy (1986). Nicol does extremely well cast against type in the title role. It’s well-made and historically accurate as far as it goes but the portrayal of the British in India seems too squeaky clean to be convincing. The out-of-print DVD has become rather expensive in the wake of the recent film Viceroy’s House.



Black Widow (1987) Available on DVD. Good film with a nice supporting turn by Nicol. The 2016 DVD from Signal One has a few extras but nothing of note about Nicol’s involvement. 



The Exorcist III (1990) Nicol doesn’t have much to do in this but it’s a surprisingly intelligent, funny, scary film with a top cast. Available on DVD. 

Sunday, 7 January 2018

How to watch Nicol Williamson - Part 2

Highly Recommended



Horror of Darkness (1965) A bleak and depressing play, but very well-made and with brilliant performances by Nicol and Glenda Jackson. Can be watched for free at the BFI’s Mediatheque in their South Bank building, usually without the need for an appointment. 



Return to Oz (1985) Nicol makes a fine Nome King in this underrated film which has a deservedly strong cult following and remains the only feature directed by celebrated sound and film editor Walter Murch. Available on DVD. Note that the 30th anniversary Blu-ray edition features no extras. 



Mistress of Suspense: A Curious Suicide (1989) The American title of this series was Chillers and this episode is available on a DVD entitled Chillers 4. I have to admit that the other 3 episodes on this disc I found to be unwatchably bad, but it’s worth it for Nicol’s one. He was in a bad way when he made this but still manages to give a riveting performance. The DVD has gone out of print and is not available at the time of writing on Amazon UK but Amazon US still have some cheap secondhand ones listed here



The Hour of the Pig (1993) This is an unusual and wonderful film with a marvelous cast that also includes Colin Firth, Ian Holm, Donald Pleasence and Harriet Walter. Unfortunately, Harvey Weinstein had money in it and he recut and re-titled it as The Advocate for its American release. Only this butchered version is available on DVD, apart from a Hungarian DVD which appears to be dubbed and have no English option. Old VHS copies of the original cut are now hard to find.



John Osborne and the Gift of Friendship (2006) Tony Palmer’s excellent documentary features an exclusive interview with Nicol and rare footage of him on stage with Jill Townsend performing scenes from Inadmissible Evidence. Essential viewing for anyone interested in Osborne or British theatre.